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Eco-Love and the World We Share with Other Organisms (Maria Whiteman)

Energy Quest (Weldon Productions, Columbia, South Carolina, 1977) and Energy Crisis Game (Itemation Inc., New York, 1973). Images courtesy of Canadian Centre for Architecture, Montréal, Quebec, Canada. https://polygraphjournal.com/issue-28-marxism-and-climate-change/


Table of Contents :Introduction (Claire Ravenscroft & Casey Williams)

Interviews:
Capitalism and Planetary Justice in the “Web of Life”: An Interview with Jason W. Moore (Michael Gaffney, Claire Ravenscroft & Casey Williams)
“These Rich Bastards”: An Interview with Christian Parenti (Claire Ravenscroft)

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Table of Contents :Introduction (Claire Ravenscroft & Casey Williams)

Interviews:
Capitalism and Planetary Justice in the “Web of Life”: An Interview with Jason W. Moore (Michael Gaffney, Claire Ravenscroft & Casey Williams)
“These Rich Bastards”: An Interview with Christian Parenti (Claire Ravenscroft)

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“Touching Polar Bears,” Howe, Cymene and Pandian, Anand. "Lexicon for an Anthropocene Yet Unseen." Esaay, “Death” by Maria Whiteman,Theorizing the Contemporary, Cultural Anthropology website, (Nov 2019)

 https://culanth.org/fieldsights/death

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“Bird Thanatology.” Maria Whiteman and Amanda Boetzkes in Conversation. Antennae: The Journal of Nature in Visual Culture 20 (2012): 72-79.

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Wildlife and Oil: In the Air,” Maria Whiteman, Antennae: The Journal of Nature in Visual Culture, Vol. 36, Pp 95 ( June 2016) 

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“Landscape and Inscription,” Multispecies Studies. with Cary Wolfe, Edited by Thom van Dooren, Ursula Münster, Eben Kirksey, Deborah Bird Rose, Matthew Chrulew, and Anna Tsing. Environmental Humanities, October 2016, DukeUP website: http://environmentalhumanities.dukejournals.org/content/8/1.toc

https://walkinglab.org/wolfe-and-whiteman-landscape-and-inscription/

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Sublime Animal” by Maria Whiteman. Liza Piper and Lisa Szabo, eds., Sustaining the West: Cultural Responses to Western Environments, Past and Present. Waterloo: WLUP, March, 2015

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 “Im(mobility).” Photo-essay Maria Whitema co-author with Cary Wolfe, for Global Animal, special issue of English Studies in Canada, edited by Karen Ball and Melissa Haynes, in preparation, Fall 2014 https://muse.jhu.edu/article/535922

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Review of Ron Broglio, Surface Encounters: Thinking with Animals and Art. by Maria Whiteman. Anthrozoos, Volume 26, Number 2, 2013, pp. 311-314(4)

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“Oil Imag(e)inaries: Critical Realism and the Oil Sands” (Maria Whiteman with Imre Szeman). Imaginations: Journal of Cross-Cultural Image Studies 3.2 (2012): 46-67. Oil Imag(e)inaries [1.26MB]

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“Taxonomia.” Photo-essay Maria Whiteman The Minnesota Review 78 (2011): 53-61.

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The Retreat (edited with Imre Szeman and Heather Zwicker). “Landscapes of Sovereignty” Maria Whiteman and Andrew Pendakis, Special issue of Public: Art / Culture / Ideas 50 (2014), Nov, 2014

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“Hiking the Suburbs.” Photo-essay Maria Whiteman and Imre Szeman. Public 43 (2011): 31-32, 125-128, 139, 154, 170-173.

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“Irreversibility, or, The Global Factory” (photo and text, Maria Whiteman with Imre Szeman). Framework: The Finnish Art Magazine 4 (December 2005): 36-37

More Publications by Maria Whiteman

Future Politics: An Interview with Kim Stanley Robinson(Maria Whiteman and Imre Szeman). Science Fiction Studies 93 (2004): 177-189

“Oil Landscapes.” Review of Edward Burtynsky, Oil. Maria Whiteman, American Book Review 33.3 (2012), forthcoming.

The Big Picture: On the Politics of Contemporary Photography” (Maria Whiteman with Imre Szeman). Third Text 23.5 (2009): 552-556.

“Wildlife, Natural and Artificial: An Interview with Peter Watts" (Maria Whiteman with Imre Szeman). Extrapolation 48.3 (2007): 604-620.

Visual Culture.” Maria Whiteman, In Johns Hopkins Guide to Literary Theory and Criticism. Ed. Michael Groden, Martin Kreiswirth and Imre Szeman. Second Edition. Baltimore: Johns Hopkins UP, 2005. 924-926.

“The Solemn Geographies of Human Limits: Art, Space and Gender. by Maria Whiteman Resources for Feminist Research 29.3/4 (2003): 213-222.

“Edge Effects.” Essay Maria Whiteman, The Goose: Association for Literature, Environment, and Culture in Canada 9 (2011): 9-11.

"Skylight: Maria Whiteman, Paintings by Jean Hanson and Robin Hesse."  Catalogue essay for exhibition held at Burlington Art Gallery, September 2003.

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“Plastic Blue Marble,”Catalyst. (Maria Whiteman with Amanda Boetzkes). Edited by Ted Hiebert. Seattle & Victoria: Noxious Sector Press. (Forthcoming: Summer 2016) http://noxioussector.net/catalyst.php

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“Where Do We Go From Here? Photo-essay Maria Whiteman, Photography and Culture 5.1 Volume 6, Number 2, July 2013, pp. 225-233(9)

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